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portrait of the artist Tom McCarthy, a novel to remember

A "novel of lost memories" that falls on the literary scene with the force of a breath of fresh air, which spariglia cards and brings new life to the novel contemporary. "Déjà vu " the 39 year old British artist Tom McCarthy, published in Italy for the types of Isbn is the story of an obsession, but also a kind of manual for look at the reality, from the point of view which refers to Don Quixote and Hamlet, but also to Francis Ponge and the legendary Thomas Pynchon. Everything revolves around a protagonist, "an anti-hero" in the definition of that McCarthy, who, struck by a mysterious object fell from the sky , loses his memory. Built a huge compensation, the nameless man begins to experience the deja vu and, using the millions of pounds of which we have, stages of reconstructions of his few memories complex, involving the following set and everything is recreated in every detail. The search for naturalness, the "fluidity" of the gestures, the lead protagonist and his assistant, the Indian Naz professional facilitator, to go ever further, in an escalation of tension and drama which will culminate on board of a hijacked plane.

"I finished writing the novel - at Kilgore McCarthy said in a meeting in Milan - in July 2001 and when I saw what happened on September 11, I almost thought I was stolen the final." Although dates back almost seven years ago, "Déjà vu" struggled to find a publisher and, after an initial limited edition of 2004, was released in the United States in 2006, the news of June 1, also won the 2007 Believer Book Award. "I am very happy for this award - said the writer -, my book is not meant to win awards including the Pulitzer, is marginal compared to the mainstream." In reality, however, the themes touched by McCarthy are profound and crucial for our time and suggest to the work of Don DeLillo, a novelist who has investigated the information that flows through our lives. "I was certainly influenced by DeLillo - said McCarthy - but he is more conceptual, I wanted that my book was more material, not only ideas but also concrete things. More profound influence - he added the British writer - I feel like Francis Ponge for the observation of objects, as he describes them. But the cinema of Tarkovsky, which takes six minutes to a wall. "

The story told in" Deju vu "is also a chronicle of failure of the attempt to create perfect copies of life." world - explained McCarthy - is always one step ahead. This is a novel anti-idealist, anti-Hegelian . In philosophical terms, there is a great struggle between Bataille and Hegel and Bataille is winner. That is the unpredictability situations, the accounts that do not return, that something more disorienting and creates the heady feeling that captures the anti-hero in the final book.

McCarthy's novel focuses so sul'arte to see, which is to set up almost like a performance of everyday life. "This - the writer said - is the essence of poetry and also
of visual art." A practice to offer a deeper insight into the reality, that makes art a kind of "photographic negative " of reality, which you can duplicate - re-interpret to use the language of "Déjà vu" - thousands of times. "Art survives the reality - McCarthy said -, art is what remains, the residue . "And his novel is a residue of uncommon size, intended to trace. When asked if art can save our lives, But the answer is unequivocal: "No, thank God, no, no, no.

Kilgore But one thing is certain:" Déjà vu "is an important novel, whose magnitude may be able to fully understand only between few years, when remember him as a classic of our times confused.

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Tigers of light Bialobrzeskie

a virtual city made up of many fragments of various cities. It 'is the objective that the German photographer Peter Bialobrzeskie has arisen at the time to document the new Asian metropolis. A photographic journey that became a book published by contrast, "light Tigers", is now an exhibition will be staged on the streets of Milan in Cinisello Balsamo from 18 May to 13 July. Kilgore Bialobrzeskie met at the International Center of Photography form of Milan, and the photographer told us his understanding of the urban photography: "A city - said in impeccable English - shooting in different ways, depending to what are your intentions. The essence is to capture the sense of place , not just a specific city, but about the idea of city. My dream - added the photographer - was to find a quality that would combine all the city, the idea of \u200b\u200bnot just one city, but a virtual city made up of fragments of various cities . "An attempt that, looking at pictures of "Tigers of light," Kilgore appears to us to be fully successful, both in finding a common link between Hong Kong, Shanghai, Bangkok or Singapore, but in the dream-like dimension that the long exposure and use a camera Large size Bialobrzeskie give the shots.

Asia, with the frenetic growth of the new metropolis, the photographer has offered material for his research, which he also read from a social point of view: "It 's a phenomenon especially Asia, because here there was a great growing middle class that did not exist before. And the development of the city reflects the economic situation of these nations." A dynamism that is also evident in light bursts from urban areas: "The energy of a city - said Bialobrzeskie - is reflected in the issue of light. I wanted to find and photograph transform the energy of these cities . And the control of light, which in some shots of the German photographer is so perfect that it seems even simpler - when in fact it is enormously complex - is one of the reasons why working with the large-format, which allows, through put of 4 or 8 minutes, to "gather all the details of light .

The technical component is one of the elements that characterize the work of every photographer, but Bialobrzeskie alone is not enough . "It 's necessary - he said - to know the technical possibilities, but you also know how to bend the technology to get what you want. Should have in mind in advance what you want to be out of stock. The way I work is to anticipate the possibilities. "

When people think of urban images in Italy the most popular name is to Gabriele Basilico now became an international star thanks to his work on the views of the city. "With Basil - admitted Bialobrzeskie - I share a strong project idea. He is very interested in the structure of the city, a pure structure, but in which people never appear. But I work to make the idea inhabited city, use the coincidences related to the life of the city. I also worked as a photojournalist - added the artist - and I'm still looking for unexpected things: when I find a recovery point, the possibilities of the situation. " Also in the picture Bialobrezski, however, the buildings and the urban fabric are the focus and the human figure, as this, plays a prominent role not . "I think people - told us - as people, not as individuals. But even as those who live their lives within the structures of advanced architectural photographer." But if we ask him if its cities are "non-places" the answer is clear: No, I'm just a different kind of place, of 'very much places' . A definition that we like very much.

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The TV I want, no!

The wait was long, slow, impatient but hopeful. And here at last: Monday, May 12 at 23:00 on Fox (channel 110 on Sky): Boris 2 - The Return . Fortunately, another quality program, which alas is in addition to a very narrow elite few and reality television. After the end of Talk to me of the legendary Serena Dandini, I was pleasantly surprised by Tatami of Camila Raznovich, more refined always talk show on Sunday at 23:40 on Rai Tre (the culture and sacrifices). In addition to this there is also pleasing to report back to Italy Live Crozza of Mauritius Crozza, the only time a "normal" (Sunday La7 to 21:30) . If we want to go on the weight (pass me the term) and consolidated discounted quote the great depth program that tells the Italy of today: Annozero and Report the only ones who deserve such recognition. Finally something timeless, light but deliciously ironic, satirical and politically incorrect: the legendary cult sitcom The Simpsons ! So a TV series, a talk show, a pure variety, two news programs and even cartoons: indeed "a large and wide choice! What? Not a reality show? ... No coment, does not arrive, file not found ... Everything else is bored (as would Califano). Shows, shows and series ends in themselves, the alleged wide audience easy to gain the pure and sad mediocrity, or journalism programs that, by their choice of content and construction of transmission, could easily be titled "Who does not stumble strip" ...
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