Making A Football Helmet Cake

Bolaño novel Amulet, and the" secret "of 2666

Roberto Bolaño just carry on, at least for the publication of his works. Pending in Italy also announced two new songs for the next few months here that Adelphi republishes Amulet , a novel false-yellow 1999, the new version of the valiant hispanist ILIDA Carmignani. A dark history, secret is probably the more appropriate term, as told in person by Auxilio Lacouture, the "mother of all young Mexican poets," who lived his moment of fame when it closed the rest - basically immobile - in a cabinet at the University of Mexico City as the military were raided on campus Sixty-eight during the riots. That experience, which Bolaño tells with the usual lucid and visionary mad at the same time, he left an indelible mark on the young woman, who by that time brings its own strength alone as an amulet. The horror of the bottom, what the Chilean writer is a master at leaving in the background, as if white noise audible only with special equipment, is just what the political violence that befell an entire generation of young Latin Americans. But, as in all the best pages of Bolaño, the charm of the book lies in the incredible skill with which the writer seems to speak other, leaving only the tracks that the player can choose to follow as not to consider, of course Every road taken will be both perfect and blatantly wrong . Borges, in short, has not gone in vain.

of possible forking paths that lie ahead for the reader, a door straight ahead to a treasure for fans of Bolaño: Amulet pages, in fact, converge most famous characters invented by Chile, on all his alter ego bleating Arturo, Ulises Lima starred with unforgettable masterpiece The Savage Detectives. this novel in which it appears the story of Auxilio, and here already spreads a slight sense of vertigo. But we are only beginning: Page 72 edition Adelphi, in fact, is an unexpected answer to one of the likely questions that have troubled the readers who have loved 2666, the monumental Bolaño's posthumous novel - also here must spend the word masterpiece, it is not redundant is inevitable - the title of which we were all questioned. Along the more than a thousand pages of the book, the mysterious figure never appears. We find, however, in Amulet: "The Guerrero - Bolaño writes about an infamous street in Mexico City - at that time seems more like a cemetery, a cemetery but not the 1974 or 1968, a cemetery, nor a cemetery in 1975, but a cemetery in 2666, a forgotten cemetery under an eyelid dead or never born, the watery eyes of a dispassionate to forget something that has come to forget everything. " Pure Bolaño, a phrase which, alone, worth the ticket price.

The feeling is that basically, the Chilean has always written one big story, declined for purely editorial reasons in various books and collections of short stories, but live as the necessary appendages of a single literary rhizome, which unfolds and forks - a bit 'like the brushstrokes that closes The Baron in the Trees by Italo Calvino - up to trace the whole story of a writer manifest or secret, but no doubt died too soon. One last remark: in this game of coincidences and intersections that leads the reader to lick the boundaries of our world of hell stands another figure: Amulet is the volume 222 Fabula of the series of Adelphi. Multiplying it by three, ie the number of works by Bolaño published so far by the publishing house of Calasso, you get a very disturbing result. It 's just a game, but who knows someone in 2666 can not identify some other type of interpolation.

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Farewell to José Saramago (1922-2010)

lived on the island of Lanzarote, Canary Islands, where he was exiled after the outcry and anger provoked by his novel The Gospel According to Jesus Christ . But the career of José Saramago, probably the greatest European writer and one of the world's largest , was full of controversy for his uncompromising stances, the in terms of politics as religion.

Born in Azinhaga, inland Portugal, in 1922, Saramago's novel debuted in 1947 with a then repudiated by the same writer. The success came much later in 1980 with a land called Alentejo , but from that point on, every book has marked important milestones for the Portuguese and European literature, with masterpieces such as The Year of death of Ricardo Reis (1984), The Gospel According to Jesus Christ (1991), Blindness (1995). Until his last novel, Cain, published in Italy a few weeks ago, among other things a short distance Papers from Lanzarote, extract of his diaries published in Italy in the spring.

disrespect for authority and deeply steeped in humanism, Saramago has invented a unique drama, made a sort of continuous inner dialogue in which no place more stringent constraints of punctuation . The speech flows in a continuous mass of words that take harmonica, page after page, the concrete structure of a superb building, and perhaps not easily accessible. As if Kafka's Castle - or the Tower of Babel, to cite biblical examples dear to Saramago - had been made sound and writing, in literary architecture of up to take on a corporation.

Because the figure of the writer is also a constant renewal of the human, in a polemic with the official religion that has its roots in antiquity. Almost for the Nobel Prize in 1998, with his page so full of epic grandeur , the Bible was somehow a book in which rival , literarily means. The vocation of his humanist reading of religious history is much deeper than a simple atheist, and focuses on the figure of Christ: "Before Jesus - writes in Notebooks - the men were already able to forgive, but no gods ". And Cain reading Saramago's almost sacrifice of Isaac, told from the perspective of the child, is both great literature and reports of violence incomprehensible.

Saramago, inscribed at the Portuguese Communist Party since the end of the Sixties, also took tough political positions. In his Blindness, footsteps of Plague by Camus, described totalitarian madness in the form of the disease view. But in Italy are known above all its controversy with Silvio Berlusconi, who among other things, the writer has called "a criminal". To the charge of defamation against the Knights a different edition of his notebook was rejected by Einaudi, the Mondadori group, and appeared for the types of Bollati Boringhieri.

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Maradona, the last (dummy) soccer star humanist

There are Messi, Cristiano Ronaldo, Milito, Drogba and Eto'o, but perhaps the last true star ( human ) of the football World Cup in South Africa is about to start him again, the indomitable and unconquerable Diego Maradona. At the head of un'Argentina which on paper has everything to win the World Cup, except perhaps the unpredictability of his coach . Fandango for the occasion once again in the pocket of the extraordinary autobiography Pibe de Oro I am El Diego , a book that irresistible, picaresque, with apparent humility, does nothing but add new life to the myth of a sample absolute. A bit 'the same thing done by the film Emir Kusturica's Maradona ( he sings hand de Dios, UNFORGETTABLE ), only this time Diego speaks in person. At the time of the football players and hyper-cyborg professionalized, read the story of the poor child became a world star in spite of itself is an experience of the liberating and the nostalgic.

The personality of Maradona is overflowing since the dedication of the book: a list of people across two pages, the daughters unto God ( elsewhere called "the bearded" ), passing for "all players in the world, Fidel Castro , Caniggia, Ciro Ferrara and Michael Jordan, not to mention "the lawyers have come up with my friend from prison." Already here we pure Dada, but subsequent pages are no different. Maradona says candidly of the best gift of all his life, the first balloon : "I had three years and I slept all night hug." Diego's little remained in the collective dream that TV recording: play and win a World Cup with Argentina. Reviewing images is now impossible not to think of words like "destiny", but in reality is the same as Maradona to explain that "it was the same dream of every kid, like all the others. " Different is that Diego has done it , but even here the path was neither simple nor straightforward. In 1978, remains out of the Seleccion then win the Cup under the icy gaze of the military, nell'1982 has a great opportunity, is the star of the tournament, but again, thanks to Italy Bearzot and Gentile, things go wrong . "What is safe - says Maradona - is that I was to lose most of all: since no one was threatening me, no more than I wanted things to go well."

Diego, while his boundless ego, the book maintains a perspective constant amazement, as if he expected never to be appreciated. When the coach asks him to become captain Bilardo of Argentina cries of joy when it finally raises her World Cup in 1986 will not let anyone else: "I wanted to be sure that were true, it was ours, the Argentine ". The years in Barcelona are turbulent and marked by constant tension with the President Nuñez, culminating in an amazing protest with the launch of trophies in the seat of the Catalan club. Then it's Naples, and the war of Diego, a champion of the poor and "southerners" against the power teams in the North. The story is well known, including the sad ending . And like any epic that respect, even that of Maradona says at one point gloomy, and Diego meet the Camorra. "I know - he writes - it was something intriguing that world, I admit. For the Argentines was a novelty: the mafia!, And how will the mafia!? There was something fascinating about this. " The dark side is always ready to seize the hero, Maradona in the gray area has walked a long time.

final note on this. Maradona at the World Cup has everything to lose and probably many are waiting for the pass. But if he wins, even to FIFA, where they have never loved, could not not notice that it would be the best way to revive the timeless legend of football . A game whose greatest performer of all time was one, writes the same as Maradona, who was training every day in the garage. A cross between Don Quixote and Sancho Panza, obviously insane, which is fighting against the windmills of what it describes as the Power. Fantastic